In the evening, what began in the afternoon in the Tiergarten park with the drums of the tbel is echoed in the electronic realm. Behind the decks stands saHHar—DJ and co-founder of the Berlin collective saHHara, who was born and grew up in Tunis and who is now based in Berlin. In recent years, saHHara has established itself as a home for North African and Arabic sounds, often underrepresented in Berlin’s club scene—supported by a community that grew in underground spaces and clubs, and at benefit events. saHHar himself is also resident DJ at Haram Night. His sets inhabit the overlapping zone explored by the festival: between mezoued, raï, chaabi, stambeli, and Arabic music on the one hand and techno and house grooves on the other, often with live drums and voices in the mix. Stambeli— Gnawa’s Tunisian sister tradition, with the same sub-Saharan roots, the same ritual DNA, just with a different name and its own mluk—is one of the sources on which his sets often draw. What we hear is not the electronic distortion of a tradition, but a second translation of the same roots into the twenty-first century.