Through a series of activations, artist Sergio Zevallos offers a collective moment to engage the public with the stories that formed the Archivo Ambulante. The archive compiles Zevallos’s underground performances, staged scenes, and materials from the period between 1982 and 1994. Zevallos’s performances emerged in the 1980s, and connect the body, society, and politics through  a method developed over four decades of practice: that is, using the body as a means for investigating, contesting, and transforming imposed (neo)colonial ideologies.