If HKW were one big instrument, what would it sound like? The four-day festival The Sound of Distance takes this question seriously and seeks answers in the expanded resonance chamber of concerts, performances, talks and sonic activations, indoors and outdoors, in a radius that includes the carillon in the neighboring bell tower and the echo of the surrounding government buildings.
Sound significantly determines the spatial perception of things and events. Sound waves are constantly in motion. The Sound of Distance makes it possible to experience them over different distances. Artists present works – some conceived especially for the festival – between guitar drones and cello sounds, sound installations and works by avant-garde composers like Annea Lockwood and Alvin Lucier. Much can be experienced by audience members in individual rhythms, with their own accents and intensities – whether the sounds reach all the way to the Bundestag or arise as otoacoustic emissions directly in the inner ear. Thus, along with acoustic perceptions, The Sound of Distance also sharpens the sense of personal location. Creating new configurations of human and object, visible and invisible, proximity and distance.
With Alvin Lucier, Andrea Belfi, Annea Lockwood, Anthea Caddy, crys cole, David Grubbs, Diana Deutsch, Dirk Rothbrust, Dodo NKishi & Tunde Alibaba, Dynamische Akustische Forschung, Hani Mojtahedy & Andi Toma, Helga de la Motte-Haber, Jan St. Werner, Judith Hamann, Louis Chude-Sokei, Marcin Pietruszewski, Maurice de Martin, Oren Ambarchi, Patricia Reed & J.-P. Caron, Sam Auinger & Katrinem, Sam Dunscombe, Stephen O’Malley, Wibke Deertz, Zwerm
Curated by Jan St. Werner and HKW