Opening
IN TRANSIT 06
big screen at the
Foyer Futebol
at the House of World Cultures. Between 16h and 20h, during the
Brasil: Copa da Cultura
Buarque's music a live screening at the foyers's big screen has been organized. Another 500 people can watch
Film
transmediale 2017
presentation, the hybrid documentary combines green screen manipulations, YouTube footage, and interviews with
Theater play
Berlin Documentary Forum 3
This screen-assisted performance is based on the true story of artist Rabih Mroué’s younger brother (...)
This screen-assisted performance is based on the true story of artist Rabih
Cinema
No Master Territories
-screen, offering facts and statistics that contextualize the women’s statements in relation to
Dance
In Transit 08
invited to read the texts projected onto a screen and to drew its own conclusions about the events taking
Theatre/Film
IN TRANSIT 05
: Three people perform next to and in front of the screen - a Mexican actress, a Mexican-Japanese actress
Online program: Desktop performance
Alphabet Readings
the relationship to the screen and brings together texts by writers of the digital present. With
Discussion
ballot box, parliamentary protocol, the no-protest zone, the big screen at the party congress, etc., from
Performance
Forecast Festival
backdrop of scenes from her film projected on the big screen, she will play live in the auditorium along (...)
performance. Against a backdrop of scenes from her film projected on the big screen, she will play live in the
Performance
Forecast Festival
backdrop of scenes from her film projected on the big screen, she will play live in the auditorium along (...)
performance. Against a backdrop of scenes from her film projected on the big screen, she will play live in the
Theatre play
Berlin Documentary Forum 3
This screen-assisted performance is based on the true story of artist Rabih Mroué’s younger brother
Cinema
No Master Territories
working-class activism, the group abided by the motto “Let us solve women’s issues through the film screen
conflicted spaces of climate change. The five-screen installation, curated by Anselm Franke, is set in a
playing. Their World Cup matches, like all the others, will be shown on a big screen – and at the Saturday
playing. Their World Cup matches, like all the others, will be shown on a big screen – and at the Saturday
Film projection with commentaries
In the Desert of Modernity
a ‘migration’ junction’ during the Fascist period and as a projection screen for a wide range of
World Cup matches on a big screen, with more than 1,000 all-weather seats, expert analysis of selected (...)
The HKW is showing all World Cup matches on a big screen, with more than 1,000
screen, or an alphabet. The gaze that encounters it may manifest as an antagonist - be it incisive or
screen, or an alphabet. The gaze that encounters it may manifest as an antagonist - be it incisive or