Spectral-White

The Appearance of Colonial-Era Europeans
Nov 1, 2019–Jan 6, 2020

Unknown artist | Colonial soldier with binoculars, Congo, ca. 1980 | Collection Heike Behrend. © Photo: Anita Back/HKW

Unknown artist | Colonial soldier with binoculars, Congo, ca. 1980 | Collection Heike Behrend. © Photo: Anita Back/HKW

Unknown artist, “hentakoi”, Fright Figure, Nicobar Islands, India, around 1900, Rautenstrauch-Joest-Museum, RJM 23331 | © Photo: Rheinisches Bildarchiv Köln, Wolfgang Meier, rba_d029031

Unknown artist, “hentakoi”, Fright Figure, Nicobar Islands, India, around 1900, Rautenstrauch-Joest-Museum, RJM 23331 | © Photo: Rheinisches Bildarchiv Köln, Wolfgang Meier, rba_d029031

“All that is needed to caricature an oppressor is to portray him exactly as he is.”
Julius Lips

In 1937, while in exile in the United States, the Cologne ethnologist Julius Lips published portrayals of colonial-era Europeans in his book The Savage Hits Back. With these pictures of soldiers, merchants, missionaries, kings and queens, he addressed the external perceptions of European culture with explicitly anti-racist intentions. The collection raises questions about violence and appropriation, cultural symbolization and mimesis, contact and resistance, and thus exposes the problems of the globally entangled history of modernity.

In the objects and photographs, Lips saw a form of realism superior to European art, but also anti-colonial satire and caricature. Some of the representations were specifically produced for white buyers. This makes Lips’ assertion of a resistive reversal of the hierarchies of the colonial gaze and its culturally critical implications appear questionable.

Spectral-White explores the historical philosophy-based theories of the boomerang-like return of colonial violence as an essential driving force for twentieth century European fascism. The exhibition questions racist projections, the desire and the blind spots that continue to make it difficult to escape the matrix of the white gaze.
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Curated by Anna Brus in collaboration with Anselm Franke.
Part of Kanon-Fragen

Exhibition

Opening Thu, Oct 31, 2019

Nov 1, 2019–Jan 6, 2020
Daily except Tue
12 noon–7 pm, Thu 12 noon–10 pm

Closed Dec 24–31
Jan 1 (New Year’s Day) 12–7 pm

Exhibition Hall 2

Admission:
5€/3€, second visit included

Free admission:
Mondays and for visitors under age 16

Combined ticket with “Love and Ethnology – The Colonial Dialectic of Sensitivity (after Hubert Fichte)”:
9€/6€, second visit included

Publication

A companion volume in English will be published by Reimer Verlag in November 2019.
Ed. Anna Brus
With contributions by Heike Behrend, Cora Bender, Anna Brus, Anselm Franke, Michael Harbsmeier, Ingrid Kreide-Damani, Gerald McMaster, Christopher Pinney, Nora Probst, Nii O. Quarcoopome, Erhard Schüttpelz, Nanette Snoep, Ann Stephen, Zoë S. Strother, Martin Zillinger

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