The twentieth-century celebrated technology as a way to achieve planetary unity and control. Yet today technics, nature, and human activity seem to combine in increasingly disorienting, uncontrolled compositions in which once-reliable distinctions lose their stability. How did we end up in this world of technological vertigo, this Mobius strip of world and planetary technics, wherein cause and effect, local and global factors, human and non-human agency, perpetually confuse and confound one another’s borders? What governs this constitution (or collision) of forces? And what are the contingent, strategic, or historical events and networks that form durable apparatuses among them?
This dilemma of global technology and its identity will be the main theme of Technosphere (2015-18), a research project investigating origins and future itineraries of this technical world within a larger series of international events, performances, seminars, and conferences that will take place at HKW over the next four years.
Concept and Realisation: Katrin Klingan, Christoph Rosol, Janek Müller with Bernard Geoghegan and Nick Houde
“Technosphere” takes place as part of the HKW series 100 Years of Now.