Stupid Music (Doofe Musik) | Friedrich Liechtenstein | Photo: Ralph Anderl
Stupid Music (Doofe Musik) | Guido Möbius, Pocket Symphonies, Opening Concert | Photo: Martin Kurtenbach
Stupid Music (Doofe Musik) | Salvadora Andaluz | Photo: Promo
Stupid Music (Doofe Musik) | The Roy Black Story, film still | © RTL
Stupid Music (Doofe Musik) | Kofelgschroa | © Sonja Herpich
Stupid Music (Doofe Musik) | Adi Gelbart | Photo: Lafi Degany
How great is humanity’s intelligence? STUPID MUSIC places a focus on escapism, examining how people take flight from unsettling news and the role that music plays in this: music that makes us dumb, dull, without sensation, that is “stupid.” Drinking songs, music meant to relax us, functional sound, and sound as a decorative element are all looked at. And yet clichés are interrogated as well, taking a closer look at purportedly “stupid,” escapist genres like the Schlager, the polka, or the arabesque, and questioning supposedly “quality” genres like jazz and classical music.
If the first parts of the festival trilogy: UNHUMAN MUSIC (Compositions by Machines, by Animals, and by Accident) and EVIL MUSIC (Odes to Violence, Death, and Demons) explored the importance and intention of the human, STUPID MUSIC will examine the intelligence of the main protagonist of the Anthropocene, his ability to learn and develop.
Curated by Detlef Diederichsen and Holger Schulze, Head of Sound-Studies-Lab Berlin
In the framework of: