Bringing together artists and cultural practitioners with experiences of diaspora and migration, International Pathways of Community expands on the supportive labour and structures that Ballroom practitioners undertake and sustain beyond the visibility of the ball, the stage, or the internet. Continuing the Pump, Create, Elevate series, this session explores how Ballroom culture connects with other artistic practices through community building, advocacy, and collective care. 

In the first half of the session, Lucca leads a chanting workshop, welcoming beginners and anyone wishing to expand their knowledge of and skills in this practice. Ballroom chanting, interchangeably referred to as commentating or MCing, is a central element of the scene. Often incorporating chants, rhymes, and repeated commands, commentators use quick wit, rhythm, and a powerful voice to energize audiences, introduce performers, and guide the competition. 

Following this, in a panel talk at the heart of the session, standup comedian Naya de Souza aka Bundaskanzlerin, dancer and performance maker Black Pearl de Almeida, MC commentator Lucca, and DJ Sirenessa reflect on the everyday work of creating safer spaces, building networks of solidarity and support, and making room for new voices. The conversation touches on the international reach of these actions, addressing how artists create community across borders or what it means to build spaces of belonging while navigating migration, diaspora, and new beginnings. 

In the final part of the session, a short performance by Black Pearl de Almeida and a comedy set by Naya de Souza aka Bundaskanzlerin offer different perspectives on identity, belonging, allyship, and the power of community. The session closes with a DJ set by Sirenessa, inviting togetherness on the dance floor. 

Before, during and after the workshop, a hang-out space with bean bags and chairs provides room for relaxation, exchange, and movement, while various related audiovisual, sonic, and printed materials are also on hand. The relaxed environment centres learning by doing. Simple language is used, which might contain adult language. The room has an even floor and is accessible for wheelchair users. 

The workshops welcome everyone wishing to expand their knowledge, skills, or network. Since Ballroom culture was created by trans women of African, Central and South American, and Caribbean descent—and continues to centre the lives and resilience of racialized and sexo-diverse people—their participation is especially encouraged. Being mindful of the space one takes, respecting the dynamics of the room, and giving priority to the focus groups is a participation requirement. In, around, and associated with HKW there is no space for, nor tolerance towards, hate speech or hate actions of any kind.

Co-production, co-curation: the House of St. Laurent, Georgina Philp and Litchi Ly Friedrich

On Sunday 25 October, 15:00–17:00, House of St. Laurent host a Kids’ Disco Special on Ballroom culture featuring a costume workshop and runway presentation. More information here.