Multidisciplinary artist Meii Soh’s immersive performance FurStation: We Shall Meet at the End challenges binary perceptions between nature and technology—affirming nature itself as exceeding human categorizations, and digital technologies as potential sites for practicing care, alterity, and world-building rather than tools of oppression. Within a hybrid set-up, incorporating video, movement, and multi-sensorial elements, the performance understands video games as frameworks of play and self-awareness that can promote healing, multiplicity, and emancipatory self-reconstruction.  

The performance explores how virtual environments can open spaces to rehearse alternative forms of embodiment and relation, allowing marginalized bodies to imagine themselves beyond dominant social categories. The artist plays a queer NPC (Non Playable Character), accompanied by virtual hunting dogs. Through the work, Soh reimagines human, non-human, and digital beings as entities navigating roles of control and companionship, rehearsing empathy and transformation. 

For Long Night of Museums, Meii Soh stages a performative experience where virtual and physical environments create and recreate non-patriarchal and counter-colonial ways of being and relating to one another.

As part of the Long Night of Museums