Feminist Worldmaking and the Moving Image
Editors: Erika Balsom and Hila Peleg
Publisher: MIT Press
320 pages, numerous film stills and other images
Released in June 2022
This book offers intersectional, intergenerational and international perspectives on nonfiction film- and videomaking by and about women. Concentrating on the period between the 1970s and 1990s, the contributions examine practices that range from activist documentaries to avant-garde experiments. They explore how the moving image has been a crucial terrain of feminist struggle – a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They meditate on the figure of the grandmother; reflect on realist aesthetics; discuss the issue of first-person expression; and ask what a feminist film historiography might look like.
Contributors: Madeleine Bernstorff, Teresa Castro, Counter Encounters (Laura Huertas Millán, Onyeka Igwe, Rachael Rakes), Forough Farrokhzad, Devika Girish, Elena Gorfinkel, Shai Heredia, Juliet Jacques, Sarah Keller, Nzingha Kendall, Julia Lesage, Beatrice Loayza, Janaína Oliveira, Lakshmi Padmanabhan, Yasmina Price, Elizabeth Ramírez-Soto, Pooja Rangan, Lis Rhodes, Sara Saljoughi, Rasha Salti, Isabel Seguí, Monika Talarczyk, Trinh T. Minh-ha, Françoise Vergès, Claudia von Alemann, Mitsuyo Wada-Marciano, Shilyh Warren, Giovanna Zapperi