Is music conceivable without musicians, instruments and recordings? More and more music is being created using software, classic instruments are losing their importance. Universally available, easy-to-use music tools are creating a new kind of musician: anyone can do it on the side without any basic musical knowledge. The physical object of sound recording media is also becoming a memory. A file doesn’t develop a patina. What is this reorganization doing to the character of music?
Curated by Zuri Maria Daiß and Detlef Diederichsen