Rania Stephan is an artist and filmmaker. Her films and creative documentaries give a personal perspective on political events. By using archival material as still and moving images, her work investigates memory and its workings. A selection of her films are Memories for a Private Eye (2015), The Three Disappearances of Soad Hosni (2011), Lebanon/War (2006), train-trains 1 (Where’s the Track?) (1999) and Tribe (1993). Recent exhibitions include Never let me go, Alt Art Space, Istanbul (2016), On Never Being Simply One, Marfa Gallery, Beirut (2016), Parle pour toi, Marian Goodman Gallery, Paris (2014) and The Three Disappearances for Soad Hosni, MoMA PS1, New York (2011).
After the Wildly Improbable