Rabih Mroué is a theater director, actor, visual artist, and playwright. Taking the form of theater pieces as well as video and installation art, his work employs both fiction and in-depth analysis as a tool for engaging with the interpretation of histories, the politics of truth, and the role visual and media cultures play therein. He is a contributing editor for The Drama Review /TDR (New York) and co-founder of the Beirut Art Center (BAC). From 2012 to 2015, Mroué was a fellow at the International Research Center Interweaving Performance Cultures at Freie Universität Berlin. He is theater director at Münchner Kammerspiele, Munich and has created numerous works, i.a. Rima Kamel (2017), Ode to Joy (2015), and The Pixelated Revolution (2012). His works have been performed and exhibited internationally including at CA2M Centro de Arte Dos de Mayo, Madrid (2013/14), The ICP Triennial, MoMa, New York (2013), and documenta 13, Kassel (2012).