|With the kind support of|
|the Embassy of the United
States of America,
|the Embassy of the French Republic,
Culturesfrance and Goethe-Institut Ramallah
“A Blind Spot” is supported by
“The Pixelated Revolution” by Rabih Mroué is co-produced by: Berlin Documentary Forum/Haus der Kulturen der Welt, The Spalding Gray Award, Performing Space 122/New York, The Andy Warhol Museum/Pittsburgh, On the Boards/Seattle and The Walker Art Center/Minneapolis, dOCUMENTA (13)/Kassel.
“Disquieting Nature” by Christine Meisner is produced in cooperation with The Walter Collection.
“Melodrama” by Eszter Salamon is supported by The Capital Cultural Fund Berlin and co-produced by Berlin Documentary Forum/Haus der Kulturen der Welt, Festival des Arts Vivants/Nyon, Next Festival/Valenciennes.
The screening of “Ginrin” (Matsumoto Toshio, Japan 1955) has been made possible thanks to support from the National Film Center, The National Museum of Modern Art, Tokyo. The screening of “Der lachende Mann” (Walter Heynowski/Gerhard Scheumann, GDR 1966) has been made possible thanks to support from the Stiftung Deutsches Rundfunkarchiv, Potsdam-Babelsberg. The screening of “Notre Nazi” (Robert Kramer, France/FRG 1984) has been made possible thanks to support from the Filmmuseum München. Digitalization of the film “Der Reifenschneider und seine Frau” (Klaus Wildenhahn/Roland Hehn/Horst Schwaab, FRG 1968/69) has been made possible thanks to support from the Deutsche Film- und Fernsehakademie Berlin (dffb), and the Deutsche Kinemathek - Museum für Film und Fernsehen, Berlin.
“Montage Interdit” is a project by Eyal Sivan in cooperation with Audrey Maurion, Robert M Ochshorn, Dafydd Harries, Patrick Hepner, Felix Boggio, Gabriele Urbonaite.
“DAYS, I See what I Saw and what I will See” by Melik Ohanian was co-produced by Sharjah Art Foundation, courtesy: the artist and gallery Chantal Crousel, Paris.
“issue zero” is supported by the Jan van Eyck Academie, Maastricht.
Haus der Kulturen der Welt is supported by the Federal Government Commissioner for Culture and the Media as well as by the Federal Foreign Office.