The Readymade Century

2017, Oct 12 — 13

Does the term readymade taken by Marcel Duchamp around 1916 for his ‘already made’ works of art need updating in the light of the global and digital transformations of the 21st century? Interpretations of the readymade in art history often concentrate on Duchamp himself. However, during the “readymade century” artistic practices working with the ‘already made’ have expanded enormously, forming a heterogeneous field of (post-)appropriation strategies.

To project

Audio – 0:22:50

Lars Blunck: Readymade after the Readymade (German)

Talk, Oct 12, 2017 German translation: Lilian-Astrid Geese & Tanja Barbian

Audio – 0:19:14

Martha Buskirk: Readymade Product (German)

Talk, Oct 12, 2017 Deutsche Übersetzung: Lilian-Astrid Geese & Tanja Barbian

Audio – 0:16:51

Thomas Girst: Readymade after the Readymade (German)

Talk, Oct 12, 2017 German translation: Lilian-Astrid Geese & Tanja Barbian

Audio – 0:07:55

Gesine Tosin: Readymade Product (German)

Talk, Oct 12, 2017 German translation: Lilian-Astrid Geese & Tanja Barbian

Audio – 0:12:18

Tobias Vogt: Readymade Product (German)

Talk, Oct 12, 2017 Deutsche Übersetzung: Lilian-Astrid Geese & Tanja Barbian

Audio – 0:13:32

Annette Tietenberg: Readymade after the Readymade (German)

Talk, Oct 12, 2017 German translation: Lilian-Astrid Geese & Tanja Barbian