The Readymade Century

2017, Oct 12 — 13

Does the term readymade taken by Marcel Duchamp around 1916 for his ‘already made’ works of art need updating in the light of the global and digital transformations of the 21st century? Interpretations of the readymade in art history often concentrate on Duchamp himself. However, during the “readymade century” artistic practices working with the ‘already made’ have expanded enormously, forming a heterogeneous field of (post-)appropriation strategies.

To project

Audio – 0:14:35

Margareta von Oswald: Readymade Transcultural (German)

Talk, Oct 13, 2017 German translation: Lilian-Astrid Geese & Tanja Barbian

Audio – 0:38:17

Readymade Transcultural (German)

Discussion, Oct 13, 2017 German translation: Lilian-Astrid Geese, Tanja Barbian

Audio – 0:33:19

FAMED & Dieter Daniels: Coda – Readymade in situ (German)

Conversation, Oct 13, 2017 German translation: Lilian-Astrid Geese & Tanja Barbian

Audio – 0:21:54

Saâdane Afif: Readymade after the Readymade (German)

Talk, Oct 12, 2017 German translation: Lilian-Astrid Geese & Tanja Barbian

Audio – 0:28:03

Readymade Product (German)

Discussion, Oct 12, 2017 German translation: Lilian-Astrid Geese & Tanja Barbian

Audio – 0:15:45

Readymade after the Readymade (German)

Discussion, Oct 12, 2017 German translation: Lilian-Astrid Geese & Tanja Barbian

Audio – 0:23:46

Dieter Daniels: The Readymade Century (German)

Introduction, Oct 12, 2017 German translation: Lilian-Astrid Geese & Tanja Barbian

Audio – 0:17:26

Olaf Nicolai: Readymade Product (German)

Talk, Oct 12, 2017 German translation: Lilian-Astrid Geese & Tanja Barbian