Prologue by Lorraine Daston (Max-Planck-Institut für Wissenschaftsgeschichte, Berlin). Introduction: Katrin Klingan (Haus der Kulturen der Welt, Berlin)
Providing a set of reflections on the narratives with, through and around “things,” Lorraine Daston, author of Things That Talk, addresses the thick aggregates of historical imagination things suggest. As a material coming together of words and worlds, things occupy a fusion of different temporal junctures, timescales and chronographies. A human lifetime, a century, even a millennium, are a blink of an eye compared to geological epochs. The rock, enduring product of processes measured in hundreds of thousands if not millions of years, and the floppy disk, the ephemeral product of febrile processes of technological innovation, stand for this mismatch in scales. However, as human technology transforms nature ever more swiftly, the legato tempo of the rock and the prestissimo tempo of the floppy disk may begin to converge.
Lorraine Daston (Berlin) is director and head of the department “Ideals and Practices of Rationality” at the Max-Planck-Institut für Wissenschaftsgeschichte, Berlin. She has published widely on the historyof science, including the history of probability and statistics, the emergence of the scientific fact, scientific models, the moral authority ofnature, and the history of scientific objectivity. Her recent talks include “Nature’s Revenge” and “Why Does Nature Have Moral Authority—Even If It Shouldn’t.”
Katrin Klingan (Berlin) studied literature and is a curator and producer of international art, and cultural projects. She currently is head of the Literature and Humanities Department at Haus der Kulturen der Welt. She was a dramaturge at the Wiener Festwochen and from 2003 to 2012 the artistic director of "relations", an initiative of the Kulturstiftung des Bundes. She is co-curator of the Anthropocene-Project.
An event within the framework of The Anthropocene Project