2017, Oct 12 — 13
Does the term readymade taken by Marcel Duchamp around 1916 for his ‘already made’ works of art need updating in the light of the global and digital transformations of the 21st century? Interpretations of the readymade in art history often concentrate on Duchamp himself. However, during the “readymade century” artistic practices working with the ‘already made’ have expanded enormously, forming a heterogeneous field of (post-)appropriation strategies.
Oct 13, 2017 Lectures and discussion with Sven Lütticken, Simon Denny, Sebastian Egenhofer and Isabelle Graw
Oct 13, 2017 Talks and discussion with Benjamin Meyer-Krahmer, Kader Attia, Margareta von Oswald and Annette Bhagwati
Introduction by Bernd Scherer and Dieter Daniels
Oct 12, 2017 Lectures and discussion with Martha Buskirk, Olaf Nicolai, Tobias Vogt and Gesine Tosin
Oct 12, 2017 Lectures and discussion with Lars Blunck, Saâdane Afif, Thomas Girst and Annette Tietenberg